Archive for October, 2008

Anatomy of a Classic

Friday, October 31st, 2008

Yesterday marked an impromptu talk given by *don’t say it* YOURS TRULY *ack, Rotary Club moment* on verbatim, “the purpose of base makeup,” with discussion points being “Is it more crucial than skincare?” and ”How much should you apply?”. Holla. I can hear the eye-rolls but hey, super important points, especially in fonda-crazed Manila.

I agreed to give the talk despite my terrible congestedness — I am currently in under of weather state — since Raizelle of Paul & Joe is an old industry friend and an all-around good soul. That, and she basically pacified me with the fact that only their V.V.V.I.P. clients would be going. Thanks. I felt so much better.

A babbly 15 minutes later, in the middle of my defense of the importance of midday retouching during the uglifying hours of 2:00-3:00pm (true story), one of their Extremely V.V.V.I.P’s crept in and asked for five pieces of their bestselling primer. My heart skipped a beat — five at once? A gal after my own heart, ohemgeez, could it be? I asked around; turns out this sudden panic-buying spurt was brought on by a previous out-of-stock experience, where Paul & Joe ran out of one of the most favoritest and most vital products in said E.V.V.V.I.P.’s arsenal. Overcompensation at its most justified, I say. Looking around at all the attentive faces — the vein-color undertone technique seemed like quite the attention-grabber — I commended this woman. She is in a safe space.

The beauty horror story of the discontinued product is one that still gives me the willies. I know, it’s incredibly OTT, yet at the risk of sounding pretentious I must say that once a woman finds a brand and a product she loves, much like the pig in the proverbial story, she commits, most of the time to the death. In this overconsumerized world where we’re bombarded with a bajillion choices, finding that one fantastic product that fits you on all counts is near impossible (insert rom-com title here). How many of us have found that one sublime fragrance, only to have it in über-frustrating “limited edition” quantities? And for that matter, what constitutes “limited edition,” anyways? It seems like everything that looks and smells vaguely delicious is touted as “limited edition,” which, naturally, makes it sell out twice as fast. Does this golden-ticket phrase depend on the brand’s actual market number? Is it ten, fifty, a hundred-thousand-zillion?

I attended a fragrance event where the brand’s principal said that the scent they were giving us was extremely limited-edition, that only a thousand were being sold at counters all over the world (gasps everywhere — I counted the editors in attendance: yikes, now there were only 990 in existence on Earth! Yes, I made it an issue.). Even worse, he said that generally once a fragrance has been “discontinued,” regardless of its present availability, all surplus stock would be thrown into a raging blaze (I kid you not) and literally burnt at the stake. And overzealous sales associates — even those annoying perfume hawkers, those who almost bowl you over with their bottle-bearing enthusiasm — would be persecuted (okay fine, chastised) for wearing a scent that was already removed from the market.

WTH! Did we just revert back to the 1600s!?

What is the meaning of this? What is the meaning of life? Do you know how many poor people there are in Africa who would die to smell like “a delectable infusion of iris, orange blossom, and the effect of a droplet of water on a woman’s skin?” In this age of recession and economic turmoil, these bizarre consumer habits should definitely be brought under scrutiny.

Almost all ladies I’ve met have mom stories — those that start with “My mom is such a fan of suchandsuch, she’s used it forever” — on Oil of Olay or Pond’s Cold Cream or Revlon Charlie, on classics that have stood the test of time. My own mother, an ex-flight stewardess back when they were called flight stewardesses, can’t stop raving about Maybelline Great Lash and its smudge-proof perks 10,000 feet above the atmosphere; her vanity used to smell like Chanel No. 5, her poison of choice, and to this day the scent, which I find a bit cloying myself, still reminds me of locking myself in her boudoir, playing with her makeup. Such is the power of a classic, and when that elixir of power is *emphasis, spittle* discontinued by heartless men in suits who don’t know jack, a part of you dies a little. So for all beauty’s novelties, there is something to be said for oldie-but-goodies that could care less about their status on the trend meter. Take THAT, limited edition fools!

Madonna and baller childAnyhoot. Have a classic Halloween, full of spooky, ghoulish goodness and lots of drink-drank-drunken fun (wear lots of perfume — its 2008!). Stay tuned for our costume party gallery in the week to come, and send in your glammest costume pics for a chance to win a makeup consultation and bragging rights as our Style Star. You have seven days, ma-material girls. Mua-ha-ha-ha-haaa.

Eduardo Sicangco’s Exhibit at the Ayala Museum

Thursday, October 30th, 2008

I’ve always had a thing for the theater. Love the costumes; love the sets; and of course escaping into an hour or two of fantasy.

When Juana Manahan invited me to the opening two weeks ago telling me it was a costume exhibit, I was thinking along the lines of traditional Filipino costumes. It was only when I got the formal invitation, and after Rajo talked to me about the exhibit opening of his friend Eduardo Sicangco, “this amazing production designer!,” that I realized what was up for show. What fun!

Mannequins on pedestals, clad in the most fabulous costumes. (Even the winged armor from the recent Belo Venetian Ball was on display).

The 20s obsessed part of my brain honed in on this amazing white flapper dress, hidden behind a curtain printed with the artist’s sketches. Such a shame it wasn’t out in the middle of the room! I would have loved to have a closer look.

Can you see it on the right-most mannequin? This is the perfect excuse to go see it in person.

You’ll have to bear with my photos for this entry. It’s a little hard to work with lighting on a camera phone.

An Elizabethan-style bridal gown with crystal medallion patterns on the skirt. The detail photo on the right was from the train of the dress.

Quite as exciting as the costumes were his sketches, studies, and mock-ups. The detailing on his work is amazing. I suppose that considering the distance between the actors on stage and their audience, trimmings and embellishments need to be over-the-top to be noticed.

This is a costume study he did for Alice in Wonderland. The quote says, “I was going for a different and unpredictable take on the fantasy and thought to myself: ‘What if I do surreal a la Max Ernst but with a gentler and subtler color palette?”

Look at the amazing detail and paper-cutting on this mock-up. The Queen of Hearts never looked so awe-some.

Unfortunately, the powers of my phone camera weren’t strong enough to capture the (real crystal!) gems on this costume study for a Giant Stiltwalker for The Ringling Circus. That and I was trying to avoid the glare from the LCD screen behind me.

I like how the swatches and a sample of the detailing on the sleeves of the jacket were included in the mock-up.

I won’t spoil the exhibit any more than I already have. I do recommend going to see it. If you’d like to do a little research on Eduardo Sicangco, here’s the link to his website: http://www.eduardosicangco.com. I fell in love with his set design for Babes in Toyland. How perfectly creepy crawly for Halloween!

Of course, my night wouldn’t be complete without a bit of style-stalking.

I used to love watching Cecile Sicangco-Ibarra dance when I was much younger. She gets special treatment as the designers sister. Her beautiful LBD is made of woven raffia and (together with her choker) was designed by Eduardo.

Pilates trainer Linzi Arellano-Co was also wearing a dress designed by Eduardo Sicangco that evening. It was actually her wedding dress!

My favorites of the evening were the Manahan women, all of them in dresses by Ivar Aseron.

I spotted Tats Manahan, the woman behind the evening’s event, the moment I entered because I couldn’t take my eyes off the pinafore-esque design at the back of her halter top. Together with her vintage Romeo Gigli tulip skirt and her patent Mary Janes, she was a total Jazz babe.

A silk bustier, ostritch-feather skirt, and Gaupo shoes. It’s all couture for Juana Manahan.

Liliana Manahan takes after her mom Tats that evening in this pretty Art Deco dress. Love the sunny color!

More party photos coming tomorrow. Stay tuned!

Isha.

Rafe Totengco at Rafe New York Greenbelt 5

Tuesday, October 28th, 2008

Today I’ll break from my usual shoe obsession and rave about bags instead.

The dapper designer inside the Rafe New York boutique in Greenbelt 5.

I met designer Rafe Totengco for the first time last Saturday at a little shopping tea party held at his store in Greenbelt 5. I second Rajo’s opinion when he mentioned in his last blog post that Rafe is one of the nicest men you’ll ever meet. He’s so refreshingly pleasant.

The one thing I found especially cool was how he really stopped to chat with each of the women who came by that day, going over the neat design features of his Fall 08 collection.

Rafe showing Celine Lopez and Wendy Puyat the detachable snaps on the Emma.

Waldorf Emma convertible shoulder bag, Rafe New York, Greenbelt 5..

I love bags that have an old world feel to them. Rafe pointed out that the strap of this particular purse can be removed, turning it into a nicely over-sized clutch.

Rockefeller Sophie long flap clutch, P26,999, Rafe New York, Greenbelt 5.

Lifting the flap of this purse reveals a handy mirror and an inner pouch with a kiss closure (to keep your things safely locked in). “So you don’t have to keep getting up to go to the bathroom when you need to check on how you look in the mirror,” reveals Rafe. The top flap is broad enough to let you do a discreet touch-up too!

The designer explaining the closure of the Leighton clutch to Dawn Zulueta-Lagdameo, who was toting a gold Rafe purse that day.

Leighton envelope clutch, P21,999, Rafe New York, Greenbelt 5.

You might carry this purse as shown in the picture but the clasp you see is actually the top of the bag. When you lay it flat on the table, it lifts outward creating a sizable opening, to make it easier for you to fish for your gloss or money or compact from inside.

I love it! He really puts a lot of thought into what women want and need when he designs. If only all men could be like this. Haha!

I leave you with my favorite purse that’s in the store right now.

Radio City Morgan Frame clutch, P26,999, Rafe New York, Greenbelt 5.

I’m not usually one for evening purses but I adore this one. I love the vintage feel of the purse and the subtle way the sequins flow from black to a light gray. It’s elegant and fun at the same time.

If you haven’t been yet, Rafe New York is at the ground floor of the first phase of Greenbelt 5. You can enter right by Banana Republic and just walk a bit down the hall to find it or you can take the door by Michael Kors and hang an immediate right.

Isha.

Right Said Red

Monday, October 27th, 2008

If you’ve been a loyal reader of this blog, then you know that I have quite the soft spot for vintagey red lips. Gwen (and not Gwyneth–Isha and I have serious post-Gwyneth Coldplay musings, i.e. She Ruined Them) has been a beauty and life-in-general personal icon of mine, especially since she nixed all that pink hair and adult braces (pet peeve alert) for a total glam overhaul, but still with sick, sick street style. Who else can mix black, white, aqua, gold and *gasp* rasta with so much aplomb? I am also sickeningly in love with her premiere fragrance, L by L.A.M.B. So much so that I went to NYC for a weekend to buy it, sob sob, since there is a slight deprivation factor in Manila as far as my beauty indulgences are concerned (SEND ME FREE STUFF, STILA. I die.). Anyhoot I yap more about this–and about geographical frustrations in general–in Preview next month. Go buy. I shall break down the gorgeous Cover Girl’s* look when the issue comes out next week, so worry not, miladies.

*Too famous to name.

Back to the red: I finally found the perfect occasion to wear my Paul & Joe red lippie (try, they’ve got one of the most spot-on formulations for reds… they come out with a limited-edition one like almost every month, though, so just grab a handful of your faves) at a baptism last weekend; yeah, that’s right, I opted to look all harlot in a holy place. Well, what else would look better with red lips than curls, English florals and heels, non? The hem and decollete were well within limits anyways, which is also something to note when wearing attention-getting color on your face, since one does end up turning a few heads when you’ve got a Marilyn mouth. I had to reapply every so often, as I did end up staining my lips with a happy mixture of red wine and blueberry-flavored candy canes (party favors from little Mateo’s christening). So, yeah, no to blue candy.

Tried and tested: Chanel Intense Eye Pencil in Noir, The Face Shop Baked Quad Eyeshadow. Verdict: 4/5.

Ch-check out Red Alert, our crimson-mouth feature. We pay homage and give tips on how to achieve the look, and more importantly, which loot to buy.

Folded & Hung Streetcast 2

Sunday, October 26th, 2008

Doing it BIG

It seems that when F&H does something, they do it BIG.

Big concept billboard ads. Larger than life prints of their muses (not to mention the usual big diva-worthy ‘dos). High-impact in-store displays with their multiple mannequins. It’s all about doing it big.

And for their 10th year anniversary (it amazed me that it’s been that long since I bought my first shirt dress from their store in Shoppesville), they prepared an event of grand proportions for the second Streetcast. Imagine doing an open casting for 100 models and styling each and every one of them for the show. Huge production!

It began with a multi-media experience of sorts, the crowd boxed in with white walls and large screens on 3 of the 4 sides of the rectangular hall.

Angel Locsin, the current face on the brand’s billboards, who was unable to attend due to scheduled work commitments starred in the opening AVP.

The final tableau of models on the stage reminded me of the mannequins in their stores.

Dressing Street

When a streetwear brand invites you to their event, it’s the perfect opportunity to dress for the occasion. (In my case, wear the eclectic mishmash of clothing that wouldn’t normally be deemed appropriate for other events.)

I find street style entirely creative: layering, odd pattern combinations, with all these interesting, personal objects and finds thrown in. It’s quite clever really.

I really like how Pam Quiñones styles. What I especially like is how she actually wears the trends and tips she hashes out in Marie Claire. The fact that it looks cool on her makes me want to give the look a try.

There’s a reason why Daryl Chang is always in Style Bible‘s pages. It’s because she really does make it a point to know her fashion and dress up. I don’t think I’ve ever seen her in a non-stylized outfit. Love it.

I’ve known Gian Romano since our days at Preview. We had a little chat about the importance of wearability in design and the appreciation of “selfish luxuries” (a term he taught me pertaining to those remarkable designer goods that are stunningly subtle and so far below the radar that they really are just personal pleasures). Lots of good news to come from this designer but i’ll give you the full scoop when he’s ready.

Jenni Epperson wrote about this Pinko denim skirt in her blog the other day. I like how she threw on a pair of shiny leggings underneath. There’s a well-appointed, distressed hole beneath one of the back pockets and the leggings keep it conservative but still quirky.

Back from her hiatus in the U.S., Xeng Zulueta‘s back in the scene, showing that shine on shine can work. Just take a tip from her and keep the glow at subtle levels. She’s wearing F&H in this photo if you want to cop this outfit, girls.

Fresh off the catwalk, and still in her duds from the show, Phoemela Barranda let me in on some juicy news. The awesome platforms she’s wearing, as well as certain styles from the runway, will be available in Folded & Hung stores.

Check out the fashion and party galleries to view all the pics from the event.

Isha.

Salvatore Ferragamo Autumn/Winter 2008 Shoes

Friday, October 24th, 2008

The clothes were divine and the shoes moreso. It’s cool to see a label, which I automatically associate with classics like the Varina flat with its signature bow, design shoes on the edgier side of the fashion fence.

Ferragamo‘s Varina ballet flat in patent purple is available for Fall ’08.


A cool twist to the barely there color of these gladiators is the near invisible sculptured heel.

Subtly metallic booties shed their tough image when done in a soft neutral.


The peeptoe and ankle strap make this pair so retro but i love how the leather meets to form a wing-like detail.


Black peeptoe booties play mind tricks, looking heel-less with its Lucite wedge.


An alien-like tangle of leather gives these spiked heels a futuristic flavor.

Jia Estrella of Rustan’s came clad head-to-toe in current and vintage Ferragamo (yes, even the brooch on her neck and the large rust-colored bangles are from the luxe label). Check out her fab gold mule!

Tweetie de Leon-Gonzales looked ethereal in this pale blue Ferragamo dress. Her belt purse and shoes were also from the brand.

Salvatore Ferragamo Regional Executive Director Christian Foddis, Citibank Country Manager Mark Jones, and Executive Vice President of Store Specialists Inc. Anton Huang hand out the check to Ms. Rosa Rosal of the Philippine National Red Cross.

It’s always nice to see the big guns take a socially-oriented turn. To quote Ms. Rosa Rosal, “Mr. Ferragamo, promise me one thing, let this not be the first and the last.”

Isha.

Geisha Garb at the Shu Uemura Boutique Launch

Friday, October 24th, 2008

The night’s dress code was Red, Black, and White but the stand-outs went right to the heart of the brand’s Japanese roots.

Lisa Buenaflor in Tyler. I love this look-it’s elegant and comfy at the same time. She caught my attention from across the room.

Gela Laurel-Stehmeir‘s style always has this indie, street vibe to it. I like how she’s done a modern, Japanese take on the typically elegant pieces of House of Laurel.

Cosplay? I think not. There is something futuristic and fun about (Shu Uemura brand manager) Michelle FernandezPatty Eustaquio dress. Her sculptured ‘do completes the look.

Isha.

Fabric: SoFA Retail Lab

Friday, October 24th, 2008

It seems that the shoe of choice for young hip Manila is black and hefty.

Charina Sarte‘s Givenchy gladiators.

The Coclico buttoned booties of Ina Ponce Enrile.

Wooden-heeled Mango slingbacks of Nadia Hernaez.

Moonshine‘s Kato Chua in Margiela-like booties.

It gives a strong, tough vibe to all the womanly silhouettes that are coming out.

Isha.

Event-hopping: Patty Eustaquio’s Exhibit

Tuesday, October 21st, 2008

“Death to Major Viva Minor”

by Patty Eustaquio.

Patty Eustaquio was foremost a painter and artist before she delved into fashion, as I learned that evening.

Oil on canvas trio: Horns (deer), Horns (Columbine), and Horns (Paine).

I fell in love with this piece. Untitled (Piano) Carved Leather & Ceramic. Designer Mitzi Quilendrino said she would have loved to put this in her nursery.

Studying Patty’s glass hewn rings with Louis Claparols.

The exhibit will run til the end of November at  2320 Pasong Tamo Ext., Makati City, Metro Manila. It’s right across Silver Lens Gallery. It’s definitely a must-see!

Isha.

Turning Japanese

Tuesday, October 21st, 2008

As if you all expected any other title.

Anyone who was anyone was probably one of the someones at last night’s Shu Uemura event, where we give it to Tina Tinio, who of course bade goodbye to the Manila press in true Tina Tinio fashion: with a who’s-who party for the brand that she indubitably built and raised to its present nebulous levels.

The legit reason for the night’s festivities, however, was the opening of the brand’s maiden boutique in Power Plant, which was a bonus since I’m always there anyways, but not usually in red, black or white ”Tokyo Mode” garb (your guess is as good as mine, brahs). But nonetheless: good times. Team SB kicked arse and took names (well, the took names part, at least… we went snap-happy on the guests’ outfits, which you shall see in our gallery in a bit) and basically took in the expert makeup demos and general revelry, as one is wont to do at an SU partey.

Seems people have been taking notes — or reading my blog, I’d like to think it’s both — but is it just me, or are red lips becoming a fast favorite among the jetset? Modern geisha, natch, dominated the beauty looks last night with the guests and was brought to delicious editorial levels by the Shu Uemura artists on the models, who were working harsh, off-center, Harajuku-inspired buns and equally vanguard makeup (i.e. Bianca V.’s checkerboard red-blue-and-white eye makeup. YSL Mondrian for the face, maybe?).

If you’ve been living under a rock for the past six years and haven’t heard of the brand, then it’s definitely time to mosey onto the store and study up. Oh, and pick up the Creme Unlimited PR 050 lippie while you’re at it (it’s my penultimate favorite of the mo!) to help ease your way into the dark-lip trend. Just wear it on the bottom lip (trust, friends, trust) and smack your lips together for a sexy-goth look. I go into deeper detail in Preview‘s November beauty issue on goth makeup, but that’s literally another story.

Shameless plugs aside, the modern geisha face can, in fact, become street-worthy, if you substitute a cream berry stain for the lips — again, smacked together for a more natural look, no tiny tulip-shaped mouths here — and a pristine face. Sleek black liquid liner on the lids, some white highlighter on the browbones, some falsies if you swing that way and a tight, black bun, and you’re done. Gray contact lenses optional.

Good job, Michelle! And Tina: Manila will miss you for reals. Shu won’t be the same without you!